Paper Title
Understanding Cinematic Representation of Mumbai Through Physical Settings A Case of Ayan Mukerji’s ‘Wake Up Sid’

Abstract
Architecture constructs spaces, while film provides a way of sequentially viewing those spaces in time. The portrayal of the same space, setting or a built environment changes with different narratives, but the inherent qualities of the architecture of that space, setting or region does provide a context to which the audience can relate to. Cities have served as a rich backdrop for storytelling through all contexts – historical, cultural, social, as well as economical. This research paper examines the architectural settings of the city of Mumbai, analysing how filmmakers utilize architectural features, physical settings and different backdrops of the city, thereby also exploring how the film’s visual aesthetics—colour, composition, camera angles, and symbolic detailing contribute to the storytelling. By dissecting the film’s mise-en-scène, this study highlights how space and design enhance character development, and evoke emotional depth. Using qualitative analysis, this research engages with architectural theories, film studies, and cultural context; thus comprehending the relationship between these two varied art forms – cinema and architecture. Keywords - Backdrop, Physical Setting, Context, Spatial elements, Cinematic narratives, Mise-en-scene